“Marginals, Isolated, and Excluded” delves into a myriad of situations that demonstrate how marginality can be understood as an irreducible diversity, whether it is the outcome of an intentional process or not (with intentionality being of secondary importance in this context). This perspective posits that marginality fundamentally represents an inherent inability to conform to norms, to integrate into existing paradigms or systems. Marginality persistently coexists within these contexts. Through this work, there is an intention to profoundly redefine the concepts mentioned in the title, as well as the notion of marginality itself within art, suggesting a reassessment of what it means to be on the periphery of society or the dominant artistic discourse.

